| RECONFIGURATIONS – New Narrative Challenges of the Moving Image VI Narrative, Media and Cognition Virtual Conference – Lisbon Polytechnic Institute 14 – 16 October 2021 Download [pdf] |
8:30 / 9:00 – Opening Ceremony (room A)
9:00 / 10:45 – Session 1 (room A)
Videogames: Agency and gameplay
Chair: Farley Fernandes
1 – “Twitch, Fish, Pokémon and Plumbers: Game Live Streaming by Nonhuman Actors” – Mark R. Johnson (University of Sydney, (Australia) and Nathan J. Jackson (and University of New South Wales, Australia)
2 – “Cognizance of Media Ecology through Illustrative Ludology and Enacted Narratives” – Ankita Singh and Tasha Singh Parihar (School of Liberal Education Galgotias University, Greater Noida, India).
3 – “Cause, Effect, and Player-Centric Time. Conflicts between Causal Intuition and Storytelling in Video Games” – Federico Alvarez Igarzábal (Institute for Frontier Areas of Psychology and Mental Health, Germany)
4 – “Interactive Characterisation: Dictating Characterised Morality in Videogames” – Andre Cowen (De Montfort University, UK)
9:00 / 10:45 – Session 1 (room B)
Television Genres
Chair: Fátima Chinita
1 – “Challenging Narration: Female Subjectivity in Television Crime Drama” – Patrycja Chudzicka-Dudzik (University of Lodz, Poland)
2 – “The New Portrayal of Taiwanese Women via Highlighting Self-Representation in ‘Trendy Drama’” – Hsin-Pey Peng (Zhaoqing University, China)
3 – “New Era for an Old Genre: Celebrity Talk Shows on Turkish Digital Platforms”- Ürϋn Yildiran Önk (Yaşar University, Turkey)
10:45 / 11:00 – Pause
11:00 / 12:30 – Session 2 (room A)
Screenwriting
Chair: Carmen Sofia Brenes
1 – “An ontology of the screenplay as complex system” – Paolo Russo (Oxford Brookes University, UK)
2 – “The ontology of the interactive script” – Rafael Leal (Universidade Federal Fluminense, Brazil)
3 – “What Does Non-Chronological Narration Tell Us About the Nature of Cinema?” – David Cottis (Middlesex University, UK)
11:00 / 12:30 – Session 2 (room B)
Unreliable Narration
Chair: Fryderyk Kwiatkowski
1 – “Saints and Antichrists of Our Truth-less Age” – Buğra Kibaroğlu (Mardin Artuklu University, Turkey)
2 – “Altered States as Embodied ‘Gnosis’, Or, How to Simulate a Secular Revelation in Mind-Game Films” – Fryderyk Kwiatkowski (University of Groningen / The Netherlands and Jagiellonian University / Poland)
3- Dementia, Disability, and the Unreliable Narrator in Florian Zeller’s “Father”-Slavica Srbinovska (Faculty of Philology” Blaze Koneski”, “Ss Cyril and Methodius” University, Skopje, Northern Macedonia)
11:00 / 12:30 – Session 2 (room C)
Comunicação e Média (P)
Chair: Manuela Penafria
1 – “A empatia do jornalismo imersivo com o uso dos webdocumentários em 360º” – Marina Oliveto (Universidade Lusófona, Portugal)
2 – “As mil palavras de uma imagem… Ou da construção tríptica de leitura de um texto fílmico feito expressão de autorrepresentações identitárias” – José Cavaleiro Rodrigues and Vanda Maria Gonçalves de Sousa (Instituto Politécnico de Lisboa, Portugal)
3 – “Guerra colonial e narrativas contemporâneas: uma análise comparativa entre dois standpoints mediáticos lusófonos acerca de um conflito comum” – Gustavo Freitas (Universidade de Coimbra, Portugal)
12:30 / 13:30
Lunch break
13:30 / 15:00
Plenary Session: Miklós Kiss – University of Groningen : “(Meta-)Framing Film Puzzles’”
Chair: Fátima Chinita
15:00 / 15:15 – Pause
15:15 / 16:30 – Session 3 (room A)
Complex Time and Space
Chair: Fátima Chinita
1 – “Simple Complexity: Understanding Time Travel Narratives” – Gal Nadler (Tel Aviv University, Israel)
2 – “‘Time is Only a Kind of Space’. Reflections on Time Travel Narratives” – Simon Spiegel (University of Zürich) Switzerland)
3 – “Decoding the enigma: The aporetic pitfall of David Lynch’s Inland Empire” (2006)” – Fátima Chinita (Lisbon Polytechnic Institute, Portugal)
4 – “The Fragmentary Narratives of Hong Sang-Soo” – Aleksander Koren (University of Zürich, Switzerland)
15:15 / 16:45 – Session 3 (room B)
Complex TV
Chair: Francisco Merino
1 – “Global Television: International Success of Spanish Series Elite” –Ana Ávila Bohórquez (Universidad Complutense de Madrid, Spain)
2 – “Serial anthology: reinventing the televisual storytelling for the new TV age” – Klára Feikusová (Palacký University in Olomouc,
Czech Republic)
3 – “Narrative Complexity in the Brazilian Telenovela: Some Perspectives” – Lucas Martins Néia (University of São Paulo, Brazil)
4 – “How Interactive TV Manages Viewer Experiences (And How to Study It): The Case of Mosaic” – Andrea Comiskey (University of Pittsburgh, USA)
15:15 / 16:45 – Session 3 (room C)
Cognição (P)
Chair: Luís Nogueira
1 – “Da recognição à cognição inventiva: as narrativas inventadas com imagens em movimento” – Marina Muniz de Lourenço (Universidade Federal Fluminense,
Brazil)
2 – Elementos cinematográficos presentes no emergir da Consciência Humana” – Luís Carlos S. Branco (Universidade de Aveiro, Portugal)
3 – “WandaVision e os processos cognitivos dos telespectadores interagentes no Twitter”- Daiana Sigiliano and Gabriela Borges (Universidade Federal de Juiz de Fora, Brazil)
4 – “Caminhos Magnéticos: narrativa neuro-vertoviana” – Teresa Lima (Universidade do Minho, Portugal)
15:15 / 16:45 – Session 3 (room D)
Adaptação Intermedial (P)
Chair: Ana Isabel Soares
1 – “O cânone literário inglês adaptado para a cultura popular brasileira: o caso da novela Orgulho e Paixão” – Maria Clara Pivato Biajoli (Universidade Federal de Alfenas, Brazil)
2 – “Transposições narrativas: Analisando a série House of Cards” – Diogo de Melo Gomes Silva (Universidade Federal de Juiz de Fora, Brazil)
3 – “A adaptação em videoclipes como desafio narrativo na imagem em movimento” – Ana Carvalho e Célia Vieira (Instituto Universitário da Maia, Portugal)
4 – “24 Hour Psycho: uma narrativa arrastada em contenção” – Deborah Walter de Moura Castro (Universidade Federal de Alfenas, Brazil)
16:45 /17:00
Pause
17:00 / 18:30
Plenary Session: Jason Mittel – Middlebury College : “Studying Television Narrative via Videographic Criticism”
Chair: Maria Guilhermina Castro
15 October (Friday)
11:00 / 12:30 – Session 5 (room A)
Aesthetic Experience and Style
Chair: Jorge Palinhos
1 – “The audiovisual production seen as an aesthetic object” – Joachim Bergenstråhle (Dalarna University, Sweden)
2 – “The wisdom of The Turin Horse: Modes of narrative and experience in the storytelling of Béla Tarr and Ágnes Hranitzky” – Jorge Palinhos (Instituto Politécncio de Lisboa, Portugal)
3 – “Narrative and Depression in Lars von Trier’s cinema” – Carlos Ruiz Carmona (Citar – Research Centre for Science and Technology of the Arts,
Portugal)
11:00 / 12:30 – Session 5 (room B)
Transmedialidade (P)
Chair: Ana Cláudia Munari
1 – “Para além do riso: uma análise da personagem Dona Hermínia a partir da prática da transmidiação” – Ana Paula Silva Ladeira Costa & Harllon Peixoto Ferreira Filho (Universidade Estadual de Goiás,
Brazil)
2 – “Lá na Frente: Da criação de um podcast infantojuvenil para um transmedia storytelling sobre luto, fé e infância queer” – Márcio Andrade (Universidade do Estado do Rio de Janeiro, Brazil)
3 – “As Referências Intermidiáticas na franquia de games God of War” – Luciano Borges (Universidade Presbiteriana Mackenzie, Brazil)
12:30 / 13:30
Lunch break
13:30 / 15:00
Plenary Session: Nitzan Ben-Shaul – University of Tel-Aviv:
“VR versus cinematic audiovisual narration, sense of presence and point of view: the uncanny space of VR”
Chair: Nelson Zagalo
15:00 / 15:15
Pause
15:15 / 16:45 – Session 6 (room A)
Intermedial Adaptation
Chair: Marta Mendes
1 – “Asides and unreliable narration in Fleabag, Alfie and I, Tonya.” – Matthias Brϋtsch (University of Zürich, Switzerland)
2 – “New narrative challenges: the adaptation of the Brazilian novel O Quatrilho from novel to film and then to opera” – Clarissa Mazon Miranda (Antonio Meneghetti University, Brazil)
3 – “Running Away(s)” – Marta Mendes (Lisbon Polytechnic Institute, Portugal)
15:15 / 16:45 – Session 6 (room B)
Ekphrasis
Chair: Miriam Vieira
1 – “Beyond the Body: Ekphrastic Embodiment and material Agency in Ciaran Carson’s Still Life” – Silvia Kurr (University of Tartu, Estonia)
2 – “The sonderkommando photographs and the ekphrastic gesture in Lazlo Nemes’ Son of Saul” – Jorge Vaz Gomes (Faculdade de Belas-Artes de Lisboa, Portugal)
3 – “Unveiling Ekphrasis on the Screen” – Dominika Bugno-Narecka
(John Paul II Catholic University of Lublin, Poland) and Miriam de Paiva Vieira (Universidade Federal de São João del Rei, Brazil)
15:15 / 16:45 – Session 6 (room C)
Narration, Cognition and Digital Media
Chair: Pedro Cardoso
1 – “Sensorial intervention of ‘immersive’ technologies into mental narrative engagement: cognitive issue with experiencing 360/VR movies” – Eugene Kukshinov (Temple University, USA)
2 – “Kinaesthetic Cognition in 360º Stereoscopic Spherical Film” – Aigars Ceplitis (RISEBA University of Applied Sciences, Latvia)
3 – “AI& Narrative Tactics in the Work of Ian Cheng” – Arron Santry Goldsmiths, University of London, UK)
4 – “Eyescape – Automation of Cinematic Narratives”, a practical and methodological approach for expanded spectatorship in algorithm and database cinema” – Victor Candeias (KUL, Leuven, Belgium and Lusófona University, Portugal)
15:15 / 16:45 – Session 6 (room D)
Espaço, Tempo, Personagens (P)
Chair: Fátima Ribeiro
1 – “As relações espácio-temporais como procedimentos narrativos para a complexidade de personagens em séries de televisão” – Maria Cristina Palma Mungioli & Claudinei Lopes Junior (Universidade de São Paulo – USP Brazil)
2 – “Unidade e heterogeneidade na relação com Deus: para um estudo das personagens, tempo e espaço na narrativa de Luz de Inverno, de Ingmar Bergman – Mónica Baptista (Lisbon Polytechnic Institute, Portugal)
3 – “Nikos Nikolaidis: O Hades fetichista” – Pedro Crispim Santos Álvaro (Universidade Nova de Lisboa, Portugal)
4 – “O espaço e o tempo na narrativa documental de Patrício Gúzman” – Elis Crokidakis Castro (Faculdade de Cinema Hélio Alonso (FACHA) \ PPGcine da Universidade Federal Fluminense (UFF, Brazil)
16:45/ 17:00
Pause
17:00 / 18:30
Plenary Session: Jane Alison – University of Virginia : “Meander, Spiral, Explode: Design and Pattern in Narrative”
Chair: Jorge Palinhos
16 October (Saturday)
9:30 / 10:45 – Session 7 (room A)
Self-Reflexive Videogames
Chair: Bárbara Barroso
1 – “Simulation, agency and rhetorics: self-reflexive storytelling in videogames” – “Tamás Csönge (University of Pécs, Hungary)
2 – “Narrating Itself: Self-Reflexivity in Narrative Video Games” – Regina Seiwald (University of Birmingham, UK)
3 – “Direction of Attention in Metareferential Videogames” – Theresa Krampe (Giessen University, Germany)
9:30 / 10:45 – Session 7 (room B)
Intermediality and aesthetics
Chair: José Duarte
1 – “Aestheticising Modernities through Intermediality: The New Narrative of Dialogic Poetics between Modernist Poets and Visual Artists” – Bowen Wang (Trinity College Dublin, Ireland)
2 – “‘We live inside a dream’: The Phillip Jeffries scene and the intermediality of Twin Peaks” – Briac Picart Hellec (University of Le Havre Normandy, France)
3 – “Intermediality and the Brain in the Stage and the Moving Image” – Eduardo Condorcet (Independent researcher)
10:45 / 11:00
Pause
11:00 / 12:30 – Session 8 (room A)
Transmediality
Chair: Paulo Leite
1 – “Enacting Londons: Audience Migration and Engagement in Transmedia Psychogeographical Storytelling” – Kai Tan (RWTH Aachen, Germany)
2 – “Toward a transmedial iconology of the Japanese cartoon” – Béata Pusztai (Metropolitan University Budapest (METU, Hungary)
3 – Unpacking the redefined role of the star image in the metanarrative film AK vs AK” – Anushka Kartha (Queen Mary University of London,
UK)
11:00 / 12:30 – Session 8 (room B)
Ideological framings
Chair: Doru Pop
1 – “Ideological Framing of the Historical Narrative: Agenda Placement Policies in Turkish TV Series on Ottoman Empire History” – Kemal Deniz (Munzur University, Turkey)
2 – “Narratives of Otherness: Social Cognition and Documentary Film”- Catalin Brylla (Bournemouth University, UK)
3 – “Dynamic Reconfigurations of the Mainstream Culture: Romanian Lockdown Memes and Media Imperialism” – Daniel Ungureanu (“George Enescu” National University of Arts, Romania)
12:30 / 13:30
Lunch break
13:30 /15:00
Plenary session: Marina Grishakova – University of Tartu : “Thinking in Images: Metafiction, metarepresentation or metacognition?”
CANCELLED
15:00 – 15:15 – Pause
15:15 / 16:45 – Session 9 (room A)
Film Worlds and Characters
Chair: Carlos Ruiz
1- “Fictional worlds around TV stories: domesticating big data” – Pilar Lacasa; Rut Martínez-Borda; Héctor del Castillo; and Iris Barrajón (The University of Alcalá,
Spain)
2 – “A cognitive and folkbiological approach to imaginary beings in the Star Trek universe” – Zoe Wible (University of Kent, UK)
3 – “Construction Sites and Vague Identities in Contemporary Romanian Film: (Dis)Placing Characters in Cristian Mungiu’s Graduation” – Catalina Iricinschi
(Franklin & Marshall College – Lancaster, PA, USA)
4 – “Characters breaking the fourth wall on Paradise PD: humor and satirical commentary” – Wanderley Anchietta (Federal Fluminense University, Brazil)
15:15 / 16:45 – Session 8 (room B)
Intermedialidade: palavras e imagens (P)
Chair: Mirian Vieira
1 – “Écfrase, cinema, filosofia: o ‘poder transmedial’ dos conceitos em Um teste de resistores, de Marília Garcia” – Yasmin Bidim Pereira dos Santos (Universidade Federal de São Carlos, Brazil)
2 – “Slam em tempos de isolamento social” – Daniela Silva de Freitas (Universidade Federal de Alfenas, Brazil)
3 – “Fluidez midiática e quadrinhos digitais no Brasil e na França” – Angélica Amâncio (Université Lyon 3 e 2, France)
15:15 / 16:45 – Session 8 (room C)
Non-linearity and Cognition
Chair: Guilhermina Castro
1 – “Aesthetic Experience Radically Revised: The Cut-Ups (1967)” – Daria Baryshnikova (Rheinisch-Westfälische Technische Hochschule Aachen, Germany)
2 – “The End of Getting It” – Karen Sztanjberg (University of Amsterdam, The Netherlands)
3 – “Rebooting Interactive Games: An Intermedial Approach to Cinema and Videogames” – George Dimoglou (Aristotle University of Thessaloniki,
Greece)
4 – “‘Cognition is Construction’: Eisenstein’s Narrative and Spectator’s Extended Cognition” – Ana Hedberg Olenina (Arizona State University, USA)
15:15 / 16:45 – Session 8 (room D)
Guião para televisão e cinema (P)
Chair: Paulo Leite
1 – “A ficção seriada e seus formatos em reconfiguração: transformações na serialidade em Amor de Mãe (Rede Globo, 2019)” – Daniel Rossmann Jacobsen, Miranda Perozini Barbosa and Patrícia Cardoso D’Abreu (Universidade Federal do Espírito Santo, Brazil)
2 – “Expansões do storytelling, soluções de encenação e disputas da atenção em Boca a Boca (Netflix, Brasil” – Simone Maria Rocha, Lívia Maia Caldeira Arantes and Marcos Silva (Universidade Federal de Minas Gerais, Brazil)
3 – “A Escrita do Iauretê: narrativas expandidas em Realidade Virtual Interativa – RVi” – Carlos Dowling (Universidade Federal da Paraíba, Brazil)
4 – O Roteirista Etnógrafo: mecanismos narrativos para investigar relações de poder” – Aurélio de Aragão (Universidade Federal do Rio de Janeiro – UFRJ,
Brazil)
16:45/17:00
Pause
17:00 / 18:30
Plenary Session: Jens Eder – University Babelsberg KONRAD WOLF.
“Audiovisual narrative on social media: networked attention and political impact”
Chair: Sérgio Dias Branco
18:30 / 19:00
Closing session
