Submissão | Bibliografia

Data limite para envio de resumos – 12 de Abril

Deadline for submissions – 12th of April

Vimos convidar todos os interessados a submeterem propostas de comunicação de 20 minutos. Cada participante está limitado a uma comunicação. Serão aceites abordagens teóricas e teórico-práticas.   

Os resumos das comunicações (máximo de 400 palavras) devem ser acompanhados de 5 palavras-chave, 3 referências bibliográficas e uma nota biográfica do autor (máximo 250 palavras). Enviar para Fátima Chinita ( e Abel Júpiter (

We invite each of you to submit a proposal for a 20-minute presentation. Each participant is limited to one talk. Both theoretical and analytical-theoretical approaches are accepted.

The proposal must contain an abstract (500 words max.), 5 keywords, 3 bibliographical references and a short bio of the author (250 words max.). Send to Fátima Chinita ( and Abel Júpiter (

Suggested bibliography:

Alber, Jan. Unnatural Narrative: Impossible Worlds in Fiction and Drama. Lincoln: University of Nebraska Press, 2016.

Alison, Jane. Meander, Spiral, Explode: Design and Pattern in Narrative. New York: Catapult, 2019.

Aronson, Linda. The 21th Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films. Sydney: Allen & Unwin, 2010.

Ben Shaul, Nitzan. Cinema of Choice: Optional Thinking and Narrative Movies. New York and Oxford: Berghahn, 2012.

Bode, Christoph and Rainer Dietrich. Future Narratives: Theory, Poetics, and Media-Historical Moment. Berlin and Boston: de Gruyter GmgH, 2013

Buckland, Warren, ed. Hollywood Puzzle Films. New York and London: Routledge, 2014.   

Cameron, Allan. Modular Narratives in Contemporary Cinema. New York: Palgrave Macmillan, 2008.

Cutchins, Dennis, ed. The Routledge Companion to Adaptation. London and New York:   Routledge, 2020. 

Dannenberg, Hilary P. Coincidence and Counterfactuality: Plotting Time and Space in Narrative Fiction. Lincoln: University of Nebraska Press, 2008. 

Eckel, Julia; Bernd Leiendecker; Daniela Olek; Christine Piepiorka, eds. (Dis)orienting Media and Narrative Mazes. Bielefeld: Transcript Verlag, 2013.

Eder, Jens; Fotis Yannidis, and Ralf Schneider, eds. Characters in Fictional Worlds: Understanding Imaginary Beings in Literature, Film and Oher Media. Berlin: De Gruyter, 2016.

Elleström, Lars. Transmedial Narration: Narratives and Stories in Different Media. London and New York: Palgrave Macmillan (open access), 2018.

Freeman, Martin and Renira Rampazzo Gambaratoe, eds. The Routledge Companion to Transmedia Studies. New York: Routledge, 2018.

Grishakova, Marina and Maria Poulaki, eds. Narrative Complexity: Cognition, Embodiment, Evolution. Lincoln: University of Nebraska Press, 2019.

Hutcheon, Linda. A Theory of Adaptation (2nd edition). London and New York:    Routledge, 2013 [2006].

Hven, Steffen. Cinema and Narrative Complexity: Embodying the Fabula. Amsterdam: Amsterdam University Press: 2017.

Iurgal, Ido A., Nelson Zagalo, and Paolo Petta, eds. Interactive Storytelling: Second Joint International Conference on Digital Storytelling, IIDS, 2009, Proceedings, Guimarães, December 2009. Berlin, Heidelberg and New York: Springer, 2009.

Kiss, Miklós and Paul Willemsen. Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema. Edinburgh University Press, 2018. 

Laass, Eva. Broken Taboos, Subjective Truths: Forms of Unreliable Narrations in Contemporary American Cinema, A Contribution to Film Narratology. Wissenschfllicher Verlag Trier, 2008.

Mittel, Jason. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press, 2015.

Murphy, J.J. Me and You and Memento and Fargo: How Independent Screenplays Work. New York and London: Continuum Books, 2007.

Nünning, Vera, ed. Unreliable Narration and Trustworthiness: Intermedial and Interdisciplinary Perspectives. Berlin, Munich, and Boston. Walter De Gryuter GmbH, 2015.

Parshall, Peter. F. Altman and After: Multiple Narratives in Film. Lanham, Toronto, and Plymouth, UK: The Scarecrow Press Inc., 2012.

Plantinga, Carl. Screen Stories: Emotion and the Ethics of Engagement. New York and Oxford: Oxford University Press, 2018.

Poulaki, Maria. Before or Beyond Narrative? Towards a Complex Systems Theory of Contemporary Films. Amsterdam: Rozenberg Publishers, 2011.

Richardson, Brian. Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. Columbus: The Ohio State University Press, 2006.

Ryan, Marie-Laure, and Jan-Noël Thon, eds. Storyworlds Across Media: Towards a Media-Conscious Narratology. Lincoln and London: University of Nebraska Press, 2014.

Schenk, Sabine. Running and Clicking: Future Narratives in Film. Berlin and Boston: de Gruyter GmgH, 2013.

Schlickers, Sabine. Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Berlin: De Gruyter, 2017.